FUSION IN BULGARIA
ЛЯТОТО НА БАЛКАНСКИ КОНЕ
В последните месеци Балкански коне покоряват публиката в България и навън, като на 22 септември 2011-а завърши лятната им поредица концерти. Стартът на Европейското им турне беше в град Минден – Германия, където музикантите се изявиха в най-стария джаз клуб в града, на една сцена с легендарната група Blood, Sweat & Tears. Следващата спирка бе участието на Балкански коне в 35-ото издание на един от най-престижните европейски музикални фестивали Brossela Folk & Jazz. Белгийската публика аплодира горещо техните изпълнения, а гости на групата бяха тромпетистът Carlo Nardoza и виртуозният млад белгийски цигулар Alexandre Cavaliere, свирил с имена като Toots Thielemans, Richard Galliano, Richard Bona, Didier Lockwood, Bireli Lagrene, Dominique Dipiazza и др.

Video of the Week: Verdes Herbas by Doa

Doa

This week’s music video focuses on of the finest acts in the Galician folk music scene. Doa has been making excellent Celtic music and is one of Spain’s best exponents of Galician music.

The video, titled ‘Verdes Herbas,’ includes Doa’s newest member, soprano singer Susana de Lorenzo, who has an admirable voice. ‘Verdes Herbas’ appears on Doa’s album A Fronda dos cervos.

Doa is known for its combination of ancient folk music and Medieval traditions with modern elements such as electric guitar and keyboards. Many of the pieces on A Fronda dos cervos (The Deer Forest) are based on Medieval songbooks such as the renowned Cantigas of Alfonso X El Sabio (Alfonso The Learned), the codice Calixtino (Calistine codex) and the Martin Códax. The rest of the material are original pieces by Doa members Xoan Piñon and Bernardo Martinez.

Doa’s current line-up include founders Xoan Piñon, Xaquín Bernardo and Blanco Martinez, along with master zanfoñeiro (hurdy gurdy performer) Oscar Fernandez and vocalist Susana de Lorenzo.

Listen to samples and buy MP3s

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Peter Dunbar-Hall: World music needs to be...

Peter Dunbar-Hall - Photo courtesy of The University of Sydney

Peter Dunbar-Hall is Chair of Music Education at the Sydney Conservatorium of Music, and author of the books “Deadly Sounds, Deadly Places: Contemporary Aboriginal Music in Australia” and “Cultural Diversity in Music Education.” He joins us in this exclusive interview on a wide range of issues covering digital music, music education, indigenous music, and the role of museums in educating people about world music.

What are some emerging research frontiers in the field of music education?

Technology will occupy us all for some time now, as we integrate increasingly new media into learning and teaching – I think the potential of new forms of technology is only slightly realised so far. The days of using notation software are now seen as an early stage in technological applications to learning music. I think research into how learning functions in a...

The Ethiopian Experience

The Black Jesus Experience

Ethiopian flavored music has certainly taken root down under. The Black Jesus Experience, one of a handful of excellent Australian bands exhibiting the influence, boasts unimpeachable bona fides, having forged an association with the founding father of so-called Ethiojazz, Mulatu Astatke. Not only that, but by adding other elements, primarily hip hop, the Melbourne collective has arguably established a vibrant new variation on the Ethiopian experience.

The connection with multi-instrumentalist, composer and arranger Astatke, who interchanges between piano, organ, vibraphone and percussion, was made during The Black Jesus Experience’s first visit to Ethiopia in 2009.

Band leader and alto saxophonist Peter Harper takes up the story. “We met Mulatu after playing a gig in his nephew’s club. He told me he had heard of us and would like us to accompany him for his upcoming tour to Australia for the Melbourne International Jazz Festival.” Their performance together at that prestigious event was a resounding success, garnering a sell out, two extra shows and rave reviews....

http://www.btv.bg/shows/tazi-sutrin/videos/video/1195884787-Etno_i_djaz_v_tsentara_na_Sofia.html


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